Vinaya Vidheya Rama

Ram Charan did good work in his role as Rama. After the role of Chitti Babu, this role would be a disappointment. Kiara Advani is okay as she got a very limited role. 

Rockstar Devi Sri Prasad composed music album for this movie and he did a disappointing work in terms of tunes and songs considering his previous works.

Vinaya Vidheya Rama is a story of a guy who is as good as Rama, the lord and how he fights the bad. Director Boyapati Seenu explored more of violent Rama than humble and obedient Rama.

Ram Charan's amazing transformation will be an eye feast for the audience. He looked he looked handsome and mesmerizing. 

The production values of DVV Entertainments is one of the highlights for the film. The music by Devi Sri Prasad is average. Even, his BGM is also not up to the mark.

Everything is routine in Vinaya Vidheya Rama. The movie is a traditional Boyapati mark mass entertainer with intense action sequences as well as some emotional scenes. 

Starring a confident and a fit Ram Charan in the lead role, the premise of Vinaya Vidheya Rama is as old as the hills. Five orphans, the youngest of them being Ram (Ram Charan), are raised by a doctor in Visakhapatnam. 

There's never a moment in this actioner where you feel for the characters. But for an efficient performance by Ram Charan who tries hard to give an emotional context to his outbursts and his killing spree, nothing works in favour of Vinaya Vidheya Rama.

Equally audacious is Raja bhai as the antagonist, played by Vivek Oberoi, who makes his victims wear bangles, anklets, asking them to dance in the streets for his sadistic joy. 

Ram Charan is in beast mode with tattooed body and bulging biceps in the film. This is the most intense character he has ever done and he does full justice to it. 

Boyapati Sreenu is known for making perfect masala potboilers, but his direction goes awry in this one. He is definitely not at his best while penning the script for VVR. 

Boyapati Sreenu at the helm can ensure a commercially viable film, but not all the time. Even he could go wrong with his formula and Vinaya Vidheya Rama is a proof for it. 

పుట్టుకతో అనాధలైన ఓ నలుగురు అన్నదమ్ముల భయానికి.. ఒక ధైర్యంలా ఆపదలో ఉన్న ఓ చిన్న పిల్లాడు దొరుకుతాడు. అతనే రామ్(రామ్ చరణ్). ఆపదలో ఉన్న రామని కాపాడే క్రమంలో ఆ ఐదుగురూ అన్నదమ్ములవుతారు. 

ఈ మధ్య కొత్తదనం ఉన్న సినిమాలతో మెప్పిస్తున్న మెగా పవర్ స్టార్ రామ్ చరణ్ పక్కా మాస్ మసాలా మూవీ చేయలేదు అని ఫీలవుతున్న అభిమానుల కోరికని ‘వినయ విధేయ రామ’తో రామ్ చరణ్ తీర్చేసాడు.

ప్రతి సినిమాకి మొదటి హీరో కథ. కానీ ఈ సినిమాలో కథే చాలా వీక్ గా ఉంటుంది. ఈ కథని మనం ఇప్పటికి చాలా అంటే చాలా సార్లు చూసేసాం. అందులో కొన్ని రికార్డ్స్ బ్రేక్ చేశాయి కూడా, అందుకే కథా పరంగా చూసుకుంటే పాత కథకి కొత్త ముఖాలు, కొత్త యాక్షన్ సీన్స్ మిక్స్ చేసి చెప్పినట్టుంటుంది. 

Ram Charan, who has rediscovered himself as an actor in Rangasthalam doesn’t get a chance to showcase his repertoire of skills. However, Ram Charan brings life to the mediocre music of Devi Sri Prasad in songs. 

All telugu directors have their comfort zone and rarely wield out of it. Sreenu Vaitla has used his ‘comedy template’ to the point it is wildly rejected by audience.

‘ Vinaya Vidheya Rama ‘ is a nothing but a medley of action episodes with a very flimsy story line. Given the festive season , the movie might rake in the money in Telugu states to some extent. 

హీరోను ఇనుప గొలుసులతో కట్టేసి ఉంచుతారు. అతడిని విలన్ రెచ్చగొడతాడు. అంతే.. హీరోకు ఆవేశం వస్తుంది.

గత కొన్నేళ్లలో తెలుగు సినిమా చాలా మారిపోయింది. ఇటు దర్శకులు.. అటు హీరోలు కొత్తదనం వైపు అడుగులేస్తున్నారు.

‘రంగస్థలం’తో నటుడిగా గొప్ప పేరు సంపాదించి.. మరపురాని విజయాన్నందుకున్న రామ్ చరణ్.. దాని తర్వాత ఇలాంటి సినిమా చేయడం విచారకరమైన విషయం. 

Ram Charan mesmerized with his arresting performance in 'Rangasthalam'. It's disappointing to see him attempt a film like 'Vinaya Vidheya Rama' after a classic.

Music composed by Devi Sri Prasad is one of the weakest element in 'Vinaya Vidheya Rama'.

Telugu Film Industry changed a lot in the past few years. Even Star Heroes have been looking forward to try different subjects irrespective of their image. Films such as 'Dhruva' and 'Rangasthalam' were a best example.